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Styles

Slip and camisole

The most useful garment nobody buys any more. A slip solves cling, transparency, static and friction at once, and it does it by being slippery.

A slip is a light garment worn between the body and an outer layer. A camisole is the same idea from the waist up. Neither provides support, shaping or warmth in any meaningful sense, and neither is trying to. The function is interfacial: a smooth, low friction surface that lets the outer garment hang on the body instead of gripping it.

The four problems it solves

Cling
A skirt that rides up between the legs when walking is a friction problem. A slip presents a slippery surface to the inside of the skirt, and the skirt hangs.
Static
Synthetic fabric rubbing against dry skin or another synthetic builds charge. A slip in a fibre that absorbs a little moisture, meaning silk, cotton or modal, dissipates it rather than accumulating it.
Transparency
A light layer defeats a thin or pale fabric in a way that a bra alone cannot, and it does it without adding a visible edge.
Seam visibility
A slip puts a smooth layer between the seams and edges of underwear and a close fitting outer garment.

Static is worth expanding on, because it is the one most often misdiagnosed as a laundry failure. It is a humidity and fibre problem: dry air, a synthetic outer layer and dry skin. Fabric softener suppresses it by coating fibres, at the cost of absorbency. A cellulose or silk slip solves it structurally and permanently.

Choosing fabric

What each slip fabric is good at
FabricSlipperinessStatic controlNotes
SilkVery highExcellentThe reference standard. Needs careful washing.
Modal or lyocell jerseyModerateVery goodSoft, easy to wash, less slippery.
Polyester satinVery highPoorSlippery and prone to static, but hard wearing.
Cotton lawnLowGoodBreathable, not slippery enough for a clingy skirt.
CuproHighGoodA regenerated cellulose with silk like drape.

For the specific mechanics of silk against a synthetic satin, see silk and satin. The short version is that a polyester slip is slippery but generates the static a slip is supposed to remove, which makes it a partial solution at best.

Cut and length

A slip should be shorter than the garment it sits under, by enough that it cannot appear at the hem when sitting or walking on a slope. A useful working rule is at least five centimetres shorter than the intended outer garment, more for anything with a slit or a moving hem.

  • Bias cut slips hang closer to the body and move with it, because the diagonal grain of the weave provides give that the fibre does not.
  • Straight cut slips hang away from the body and suit stiffer outer fabrics.
  • Adjustable straps matter more here than on a bra, because a slip has no band to set the vertical position.
  • A split or vent at the hem prevents a slip from restricting a stride in a longer skirt.
  • Camisoles with a shelf or built in cup exist and are usually a compromise on both counts.

If a skirt clings, the answer is not a tighter skirt or a different pair of tights. It is a slippery layer between them.

The camisole as an outer layer

A camisole in a heavier silk or a fine knit crosses the line into outerwear and gets worn under a jacket or over a bra with nothing else. That is a legitimate use and changes what to look for: a wider strap that covers a bra strap, a slightly higher neckline, and an opaque fabric with enough weight to hang rather than cling.

Where the camisole is genuinely underwear, the opposite applies: as light and thin as possible, so it does not add bulk under a fitted garment. Trying to buy one garment for both jobs generally produces something that does neither well.

Care

Silk needs the routine in hand washing: cool water, a pH neutral detergent with no enzymes, no wringing, dry flat away from sunlight. Modal and cupro tolerate a cool machine wash in a bag. Everything in this category should be hung or laid flat rather than folded under weight, because a pressed crease in a fine fabric takes a long time to fall out.